Edited by Phyllis Irene Radford
At Sky Warrior Books, we know you love Steampunk, and we love it too. So send us your best Steampunk original or reprint (must have the rights), stories 500 to 6000 words in length. The theme is open, but the editor would prefer a more worldly Steampunk story. African Steampunk, Asian Steampunk, Arctic Steampunk, Western steampunk -- you get the idea. Sure, we'll take standard Steampunk, but we'd love branching out.
Payment is author share divided equally among the authors. We pay quarterly.
Deadline UPDATED -- Extended to January 1, 2012
Our deadline is January 1st, 2012. We’re planning on the e-book coming out in March. Hopefully a print version to follow.
How to Submit or The Nitty-Gritty
We accept RTF files via e-mail only to the publisher at email@example.com. Put the words: STEAMPUNK SUBMISSION in the subject line with the title of your piece. Send us a virus and we will never accept anything from you again. Double spaced manuscript in Times New Roman or some other pretty font (not Courier!). Use italics, not underlines. Have your contact information on the manuscript including your email address. Let us know if this is a reprint and from where. Again, be sure you have the rights to reprint – we won’t chase down permissions. MUST BE STEAMPUNK. 500 to 6000 words (actual). Query for long pieces. Be sure to send us a manuscript free from spelling/grammar errors. Visit our website at www.skywarriorbooks.com.
Phyllis Irene Radford
Two years ago I immersed myself in all things Steampunk when I first agreed to help edit “The Shadow Conspiracy, Tales from the Age of Steam,” for the Book View Café http://www.bookviewcafe.com. Little did I know that that anthology was only Volume I. Volume II was released early in 2011 and a third is in the works. And now I will also be developing a new Steampunk anthology for Sky Warrior Books http://www.skywarriorbooks.com.
I grew excited about the project in ways that hadn’t sparked my interest in a long time. With Steampunk I had access to adventure, to Romance (in the classic literary sense), I could invent marvelous toys and gadgets, I had real history to tweak in ways that made sense and thumbed a nose at prejudices and haughty scholars.
The more I worked with the stories the more I realized that Steampunk is not just about the things you can do with steam. It is a sensibility, an approach to life, and a new way of looking at issues--through goggles if you will.
I have found Steampunk all around me. Not just in books, movies, and TV shows that shouted steam at every turn, but in subtle ways. In interior of the Tardis on Dr. Who looks and sounds as if it belongs in a Jules Verne tale. In watching the DVDs of the TV series Farscape, I find some of the same flowing elegance in the living ship Moya as I do in many a luxurious upscale steam train.
The huge “What if” factor in both of those shows is similar to the Steampunk movement.
At PDX Gearcon 2011, my first Steampunk convention, one of the topics tossed around frequently is that Steampunk allows us to explore the human relationship with technology. In our current reality we seem addicted to technology without the knowledge or ability to understand the microscopic layers of silicon and circuitry. With steam, the gadgets are large enough that we can follow the hoses and coils, the pipes and the fuel, visually discover the logic of the design and fix it if need be with “found” tools and material.
Steampunk may have grown huge through the costume movement. It lingers for other reasons than just lace, velvet, goggles, and grease.
Steam engines are not just practical; they are elegant, as elegant as an artfully draped skirt or embroidered cuff. They come from an era when craftsmen designed beauty into their creations and took the time to make every seam align and flow into decoration. The gilding and flounces were as much a part of the function as the hoses and coils, the heat and the hiss.
As we romp through the stories and adventures, marveling at the possibilities of science and magic entwining, the mysterious flux and flow of the ephemeral steam, we also get a chance to tweak with the laws and morality of the Victorian Age that have come to dominate modern life. In Steampunk, women can stand beside the men as equals; they can tromp through jungles, climb mountains, and fix the bloody engine. All the while they will do it with grace and aplomb with an eye toward sensible fashion. After all, a corset is not just a symbol of sexual bondage; it contains useful raw materials and tools within the stays. It can become a woman’s barrier against unwanted advances. And when she chooses to take it off? Oh, the slow and wonderful possibilities that can follow.
I invite you to explore the age of steam, the sensibilities, the marvelous “what if” factor, and the optimistic energy of Steampunk. I think the movement is here to stay.
Copyright © 2011 by Phyllis Irene Radford, first published Book View Café 2011, Reprinted with permission.